<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The Yeti &#187; Literature &amp; Art</title>
	<atom:link href="http://www.theyetionline.com/category/literature-art/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.theyetionline.com</link>
	<description>Local News. Monster Coverage.</description>
	<lastBuildDate>Wed, 08 Feb 2012 03:14:34 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2</generator>
		<item>
		<title>Poetry: &#8220;Soft Vanity&#8221;</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/poetry-soft-vanity/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/poetry-soft-vanity/#comments</comments>
		<pubDate>Thu, 30 Jun 2011 21:30:55 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[vanity]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=2770</guid>
		<description><![CDATA[I wander through the frame. Between two fingers, I hold close A world petrified in two dimensions, Whose glossy scent stirs the cerebellum. Two left [...]]]></description>
			<content:encoded><![CDATA[<p>I wander through the frame.<br />
Between two fingers, I hold close<br />
A world petrified in two dimensions,<br />
Whose glossy scent stirs the cerebellum.<br />
Two left feet guide my body down<br />
Old Canaan Blvd – Memory Lane&#8217;s repudiated sister.</p>
<p><span id="more-2770"></span></p>
<p>Lining the street are no<br />
Houses, No<br />
shops, No<br />
gas stations alive with the hum<br />
of bright signs, or the noise<br />
of busy pumps. No shuffle<br />
of tired feet<br />
on the gum-stained sidewalk,<br />
No unbridled laughter.</p>
<p>Standing in the street, is<br />
you.<br />
You with your black camera,<br />
Your back to me,<br />
Swaying like a lone balloon tethered to a mailbox<br />
in an unnoticed breeze,<br />
Or like an homage<br />
to the trees that you couldn&#8217;t save here.</p>
<p>I feel you feel me padding my way up the pavement,<br />
Toward you.<br />
A slow turn and a tilt of the head to the left,<br />
You unveil a display of teeth.<br />
Unimpressive, I think,<br />
Your poor rendition of a smile.</p>
<p>With seven steps, I eclipse your celestial body, and watch<br />
To see if you&#8217;re awash with glow…wait<br />
To see if I concede to your gravity.<br />
As both science and history could tell us,<br />
I do.</p>
<p>And seven steps below your lauded orbs of sight,<br />
Jerks to life the corner of your mouth.<br />
And then it comes,<br />
Softly, like a sigh of wind after a sonic boom:<br />
Your voice.</p>
<p>&#8220;Strange, isn&#8217;t it?<br />
The death of a parade &#8212; Always&#8230;<br />
&#8230;But no one ever watches that;<br />
By then, their mouths are full of turkey.&#8221;</p>
<p>But those words are not for me.<br />
No, you&#8217;re only speaking through me,<br />
To something even the trenches of my mind<br />
Dare not comprehend.</p>
<p>Your lips meet to compose a subtle curl &#8212; serene,<br />
While I gulp down ancestral fears,<br />
I try to focus on how you&#8217;re beautiful, not like<br />
A beach sunset, but like the glisten<br />
of dog piss on healthy grass in sunlight.</p>
<p>And still I see it, as my arm<br />
Travels the lightyears between us,<br />
Just to establish contact<br />
With your craterless cheek.</p>
<p>Beneath my touch, you relent;<br />
Warmth, honest as raw earth spreads across your face,<br />
And the words that come, they come for me:</p>
<p>&#8220;And when we die,<br />
There will be nobody watching,<br />
Nobody will see&#8230;<br />
But now, it&#8217;s time for our picture.&#8221;</p>
<p>To the camera in your hand,<br />
You offer all the length of your arm<br />
So the lens can find:</p>
<p>Your dirt-dark hair, longer than I can stand,<br />
Hanging lazily about that peculiar face,<br />
wherein lie<br />
Your eyes, the color of Neptune,<br />
Surfacing on the smooth sea of your bronzed skin.<br />
And behind you, a glimpse of asphalt, bleached by the merciless sun,<br />
The curtain of dusk being pulled over the shoulders of the horizon.</p>
<p>And me,<br />
(Or some semblance of)<br />
Blurred,<br />
Formless,<br />
As I walk out of the frame.</p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/poetry-soft-vanity/feed/</wfw:commentRss>
		<slash:comments>21</slash:comments>
		</item>
		<item>
		<title>Smoker Series</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/smoker-series/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/smoker-series/#comments</comments>
		<pubDate>Sun, 14 Mar 2010 17:24:29 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1786</guid>
		<description><![CDATA[Reflections on a smoker's many moods.]]></description>
			<content:encoded><![CDATA[<p>Click on the first image to view the photo gallery. Then you can use the arrows to navigate the slide show.</p>

<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/smoker-series/feed/</wfw:commentRss>
		<slash:comments>27</slash:comments>
		</item>
		<item>
		<title>Hackberry Tree Lifts Car Into The Air, SAITAMA, JAPAN</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/hackberry-tree-lifts-car-into-the-air-saitama-japan/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/hackberry-tree-lifts-car-into-the-air-saitama-japan/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:18:46 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1648</guid>
		<description><![CDATA[A poem by Kaitlin Crockett, as part of The Yeti's Fall 2009 Best of Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: small;">Spit out by a bird, a seed<br />
lands in a junkyard in Japan</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">years before anyone<br />
notices, before one of the workers<br />
sees a tuft of green beneath<br />
a nickel box Honda.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">Even then, nobody expected anything but weeds.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">The young tree, knowing nothing<br />
of the thirty-some shades of rust or<br />
gravity’s quiet, oppressive hand, felt</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">the sun through busted floorboards<br />
and ruptured right on through. Oh,<br />
how it wore that car like a necklace!</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">The dented fender pointed up</span><span style="font-size: small;"><br />
and east, as if ascending an imaginary</span><span style="font-size: small;"><br />
mountain.  The drooping tires hanging</span><span style="font-size: small;"><br />
from the branches, graceful as moss. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">The workers, who<br />
were used to seeing things die</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">built a fence around the car<br />
that was now a tree</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">and declared it a sacred monument,<br />
a reminder that even broken clocks<br />
are right twice a day, and the holy</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">flowers in mud, flower<br />
in mud.</span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/hackberry-tree-lifts-car-into-the-air-saitama-japan/feed/</wfw:commentRss>
		<slash:comments>29</slash:comments>
		</item>
		<item>
		<title>To Olga: A Note Concerning Your Clavicle found under the last pew of St. Teresa’s in the Ural Mountains, 1914</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/to-olga-a-note-concerning-your-clavicle-found-under-the-last-pew-of-st-teresa%e2%80%99s-in-the-ural-mountains-1914/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/to-olga-a-note-concerning-your-clavicle-found-under-the-last-pew-of-st-teresa%e2%80%99s-in-the-ural-mountains-1914/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:12:50 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1645</guid>
		<description><![CDATA[A poem by Keith Brinkman, as part of The Yeti's Fall 2009 Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: small;">Oh! your clavicle is a most holy phenomenon!<br />
I’m only certain it’s not unapproachable as it seemed –<br />
You knelt beside me, unblinking, for the Eucharist.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">This isn’t the right way to tell you, my young love,<br />
but I want to feel it’s warmth with all of my toes<br />
and slyly rub my beardless chin into it. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">In light of long contemplation – useless attempts to flee<br />
my desires. Late night. You surely sleeping. A candle<br />
burning on the table – I see, I must ask.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">This is a most hasty avenue to reveal these savage thing<br />
to you, a pure woman, but I want my apprehensions<br />
regarding your beautiful clavicle to rest. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">And lest you be uneasy, this you only need consider –<br />
my love is the sweating passion of a </span><em><span style="font-size: small;">negro</span></em><span style="font-size: small;"> singer.<br />
There is no reason to fear my swooning. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">We will depart to the civilized Russia of </span><span style="font-size: small;">Peredelkino</span><span style="font-size: small;">,<br />
a village free of turmoil, and mustachioed women<br />
who may kidnap you for their brothels. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">I’ll ride to meet you as midnight snows on my coat.<br />
And I’ll knock six times with the skin of my forehead.<br />
All to embrace the miracle of your clavicle. </span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/to-olga-a-note-concerning-your-clavicle-found-under-the-last-pew-of-st-teresa%e2%80%99s-in-the-ural-mountains-1914/feed/</wfw:commentRss>
		<slash:comments>22</slash:comments>
		</item>
		<item>
		<title>Strawberry Sonnet</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/strawberry-sonnet/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/strawberry-sonnet/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:05:36 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1642</guid>
		<description><![CDATA[A poem by Natalie Cowart, as part of The Yeti's Best of Fall 2009 Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: small;">some longer lovers hungry lovers<br />
dance in strawberry bowls<br />
the man slicing blood berries<br />
his muse mixing beneath his thumbs<br />
wild waltzing with the dismembered fruit<br />
right onto blender blades<br />
And he puts it on his pound cake.<br />
how wet<br />
even the seeds crushed<br />
the juicy extract tart and<br />
penetrating the porous sponge surface<br />
while she sighs and slides around the plate<br />
Just enough<br />
to be lost in all the pulp.</span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/strawberry-sonnet/feed/</wfw:commentRss>
		<slash:comments>36</slash:comments>
		</item>
		<item>
		<title>Indiscretions</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/indiscretions/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/indiscretions/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:02:23 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1639</guid>
		<description><![CDATA[A poem by Lauren Dimmer, as part of The Yeti's Best of Fall 2009 Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: small;">We picked my mother&#8217;s bed<br />
because it was big enough<br />
to be its own island, a quiet<br />
place, and in that room<br />
there were no windows to see<br />
our nakedness, nothing but</span><span style="font-size: small;"><br />
the door, still hanging limp</span><span style="font-size: small;"><br />
on its hinges, a loud creak</span><span style="font-size: small;"><br />
just so we&#8217;d listen.</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">My teeth were still misaligned<br />
my mouth thick with surgical padding,<br />
from the first of three molars<br />
that lost their way to the jaw<br />
somewhere in the bowling-ball slick<br />
of palate and sinew and bone.<br />
We did not kiss, I was too sick</span><span style="font-size: small;"><br />
with anesthesia and stitches.</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">But I am not ashamed of sitting<br />
with her naked in my mother&#8217;s bed.<br />
The sun made its own picket fence,<br />
shining through the sheets, and</span><span style="font-size: small;"><br />
I believed in it too much to worry.</span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/indiscretions/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>On Contemplating Death Too Much, And Too Often</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/on-contemplating-death-too-much-and-too-often/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/on-contemplating-death-too-much-and-too-often/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 03:11:19 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1636</guid>
		<description><![CDATA[A poem by Lauren Dimmer, as part of The Yeti's Best of Fall 2009 submissions.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: small;">I hate the mess of it, not on my arms,<br />
no, it&#8217;s my ankles and hips and stomach<br />
and inside of thighs and calves. My arms<br />
are clean and flecked with other things. Arms<br />
are what people notice. When I was sent up<br />
to the guidance counselor, two times, my arms<br />
were the first thing I showed them. My arms<br />
let me skip back down the halls and yell<br />
into the bathroom sink and then yell<br />
again into my hands and go back, arms</span><span style="font-size: small;"><br />
bared, to biology. I am nothing but someone<br />
holding the marks of five years. Just someone.</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">It&#8217;s not even a question, why I didn&#8217;t tell someone<br />
else. Everyone else is busy scrutinizing my arms.<br />
It&#8217;s easy to understand, isn&#8217;t it, oh, you are someone<br />
who writes love&#8211; but that&#8217;s bullshit. I am someone<br />
who has been stupid, and stupid and young, someone<br />
who slept well and often. No, better, I am someone<br />
who stills walks with stupid on my ankles, head up.<br />
I don&#8217;t talk about this because even talking brings up</span><span style="font-size: small;"><br />
so many nights that weren&#8217;t mine to begin with, someone</span><span style="font-size: small;"><br />
else&#8217;s fucking story, and besides, all I know how to do is yell,<br />
not live, not like, not cry, not in public. Yelling,</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">that&#8217;s easy. Biologically acceptable. Animals yell,<br />
the young are animal. Even the peacocks yell,<br />
and they&#8217;re ridiculous. I used to bare my arms,<br />
triumphant. Here is the piece that doesn&#8217;t fit. Yell<br />
all you want. I am not here. I am yelling<br />
in the bathroom sink, and I walk high,</span><span style="font-size: small;"><br />
still full of stones. My mother couldn&#8217;t stomach</span><br />
<span style="font-size: small;">it. She forced her fingers under my chin and yelled,</span><span style="font-size: small;"><br />
hurt and animal, from the diaphragm, up<br />
and under. How can anyone grow up?</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">I make mess for myself. It grew up<br />
on its own, but I planned it, precisely. Yelling<br />
is all I know how to do. I hold my head up,<br />
thinking this. Who gives themselves up<br />
first? I have been young, and I am someone<br />
who scheduled my own madness, looked it up<br />
first. I am someone who stands up<br />
on stupid ankles. They&#8217;re the worst now, armed<br />
and too tough to cut through. It&#8217;s not my arms.<br />
I am someone who hides it better than the stories.<br />
Someone should stop telling the story, should stomach<br />
the end of the lady who swallowed a fly. My arms<br />
don&#8217;t flap like wings. My arms are just arms.</span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/on-contemplating-death-too-much-and-too-often/feed/</wfw:commentRss>
		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>father day card (late)</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/father-day-card-late/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/father-day-card-late/#comments</comments>
		<pubDate>Sat, 01 Mar 2008 22:00:34 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Non-fiction]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=23</guid>
		<description><![CDATA[when i was 8 you nailed my bike to the wall of the utility room. you were angry because you tried to teach me how [...]]]></description>
			<content:encoded><![CDATA[<p><span>when i was 8 you nailed my bike to the wall of the utility room. you were angry because you tried to teach me how to ride and i fell. i didn’t care at all about being able to ride a two-wheeler. beneath the skinned knees and the skid marks, i cared about being able to learn from you, to do something you wanted me to do. i wasn’t able to, i fell and i fell and i fell. fell onto the asphalt and you nailed my little black bicycle to the wall. and with it you crucified my heart. four years later i got a new bike and i learned to ride it the same day, my brother taught me. and even though the little black bike had long been taken down off the wall, my heart was still there. maybe when we moved away from that house it stayed behind, i don’t really know. we got a new house but i still didn’t have a home, because home is where the heart is. i don’t know where home is, i don’t know where my heart is, perhaps you still have it.</span></p>
<p><span>i think i’ve lost you. or did you lose me? no one has ever loved me as much as you have loved me. and no one has ever hurt me really, except you, because i love you. no one has broken my heart, made me feel as mean and callous and indebted as you. i don’t know what i owe you, aside from my rent. in the back of my mind, i have always hoped that maybe with a little more work on the house, with better grades, with cleaner dishes, that you would be proud. i don’t want your help or your pity, i don’t want you to pay off my debt, i want you to love me. 21 years trying to earn your love and now i’m tired. you have brought me up the best you could and brought out the worst in me. you taught me what it feels like to be completely alone. i only ever ran from you to see of you would chase after me&#8211; if you would welcome me home when i came home. all i want is to come home and be welcomed back as the prodigal, to have you say that you don’t care about the past because now i am home. i want to have a home.</span></p>
<p><span>i have fallen again, fallen in love. i am trying to love a girl. she is beautiful and loved and she has a home. but i am terrified of letting her love me because i know i will have to take the chance that she will give me a new heart. last time i had a heart i didn’t work out so well. so now i can ride a bike but i am not sure i can love. and everytime i fall the failure takes far more from me than the layer of skin i left on our old driveway. now i know why they call it falling in love, because it is exactly like falling. you have no control and it is completely terrifying, and the whole time you are worried about what might happen when you stop falling, when you hit. the fear of falling doesn’t stop anyone, it’s the fear of hitting something that you can’t get past. i am not sure i can get past myself.</span></p>
<p><span>i fell for you the way you fell for me the day i was born. you were god to me, strong, commanding, you had a thick black moustache. i am learning about god, but i half believe that when i get to heaven he will have played football for the navy and been voted orlando’s hottest bachelor in the 70’s. i hope He is just like you, because, disregarding all the reasons, resentment, and fear, i still love you, and even though i don’t know why or see the evidence as i would like, i know we are awfully in love.</span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/father-day-card-late/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Thanksgiving in Jonny&#8217;s Dorm Room</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/thanksgiving-in-jonnys-dorm-room/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/thanksgiving-in-jonnys-dorm-room/#comments</comments>
		<pubDate>Sat, 01 Mar 2008 22:00:01 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Non-fiction]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=22</guid>
		<description><![CDATA[My boarding pass reads 9:45 pm. After four hours and forty five minutes of Fox News, its 10:45 pm. I’m still sitting on the metal, [...]]]></description>
			<content:encoded><![CDATA[<p><span>My boarding pass reads 9:45 pm. After four hours and forty five minutes of Fox News, its 10:45 pm. I’m still sitting on the metal, attached seats of the Tallahassee Greyhound, on Tennessee St. My ass squirms. The stench of a left over Greyhound Service Food eight piece fried chicken meal combined with poverty and freshly mopped floors permeates. </span></p>
<p><span>A lanky black college kid approaches the vacant seat of the man next to me. I tell him that someone’s sitting there. He ignores me. In a few minutes, a short, stout, old, black man, that’s in need of a shave, walks towards the college kid. His face is mean. He says, “Ya sittin in my seat.” The college kid replies, “What?” in a dumbfounded look. The old man repeats, “Ya sitting in my seat.” His deep voice is penetrating. The college kid replies by moving to another seat. </span></p>
<p><span>Listening to “Dane Cook” on my Ipod, my dimples are protruding so much that my cheeks hurt. It’s 11:15 pm and we’ve just past Lake City on our way to Jacksonville. The bus is silent and dark. I can hear the faint whispers of the passengers that sit behind me. Directly behind me, sits the same old man that had the encounter with the college kid. In a deep voice, he blurts out, “Ow God&#8230;please forgive me of my sins.” I shudder. “This dude is crazy!” I think. He repeats, “Ow God…please forgive me of my sins.” I lean forward and cover my eyes with my hands. </span></p>
<p><span>Amid the bustle of SUV’s around me, I open the passenger door to my little brother Jonny’s 96 white Isuzu Rodeo. My mom and Drew, my older brother, are seated in the back. They waited an hour to pick me up. My mom reaches over my head rest and tickles my neck. I squirm and say, “Mom stop!” She says, “Ow…come on you big baby.” </span></p>
<p><span>We’re on our way to Osprey Hall, the destination of Jonny’s dorm, in University of North Florida. </span></p>
<p><span>To save money, for three days of Thanksgiving Weekend, my family and I are cooped up in Jonny’s dorm room. My mom sleeps in Jonny’s sheet-less bed on the back of the wall. Drew sleeps on the Futon on the side of the wall. Jonny and I sleep in the air mattress in the middle of the room; it gradually deflates as the night progresses. </span></p>
<p><span>There is only one real blanket, so my mom receives it. Drew has this red Sponge Bob blanket that’s so short it barely reached past his knees.  And, Jonny and I are each given a skimpy sheet. </span></p>
<p><span>It’s cold in the dorm room, but if we shut off the air conditioning, the room gets moldy. Therefore, I sleep with my red and blue stripped Ralph Lauren sweater. My mom sleeps wearing her favorite pair of blue jeans and a Hippie looking shirt, with socks. Drew sleeps in his Joe Boxer pajamas and plain white V-neck shirt with socks. And, Jonny sleeps shirtless with a pair of black Footlocker basketball shorts; he’s apparently adapted to the cold. </span></p>
<p><span>We are displeased with Jonny’s living habits. Expired underwear, the Publix brand of Fruit Loops with no milk, and a sink filled with unwashed Dallor General plastic cups and bowls, along with crusty socks that smell, is Jonny’s version of self sufficiency. </span></p>
<p><span>The day after Thanksgiving, Jonny suggests we go to movies in Tinsletown and see Beowolf. I kind of want to see Beowolf, too. Within ten minutes of the movie, however, mom has enough. Eyes closed and face contorted in fear, her head rotates forty-five degrees to the right. She refuses to watch anymore. </span></p>
<p><span>The next day we drive to the St. Augustine Outlet mall. Ironically, I only buy one item; whereas Drew, who’s usually frugal, buys five to six items. His total is over three hundred dollars. After Drew’s third item, our feet became sore. Drew is determined though and traverses every store. We decide to leave Drew and grab some fruit smoothies in the food court. Finally, Drew’s shopping had ended. </span></p>
<p><span>For dinner, we eat at this Hookah restaurant. After appetizers of couscous and pita bread with hummus, we ask the waitress to recommend a hookah flavor. She convinces us to try double apple cherry. Within a few minutes, mom feels a little light headed. She then excuses herself from the couch pillows that we are sitting on. </span></p>
<p><span>She comes back from the bathroom with a story. She says that she did her thing in the bathroom and then tried to wash her hands but couldn’t. There was soap, and she lathered up, but both hot and cold knobs for the sink were removed. So she resorted by wiping the soap off her hands with tissue paper; there weren’t any paper towels left.<br />
<span> </span>Arriving at the Osprey Hall parking lot from dinner, Jonny develops a plan. Jonny and mom leave the car first. Mom appears to be escorting Jonny back to his dorm room. After a few minutes elapse, Drew and I head to Jonny’s dorm room. Appearing to be students of UNF, I carry Jonny’s backpack and Drew carries Jonny’s psychology textbook. We walk at a moderately fast rate. Almost up the stairs to Jonny’s floor, a girl approaches. We simultaneously say “Hi” and walk past her, without waiting for a response. </span></p>
<p><span>In Jonny’s dorm room, Drew and Jonny whisper because they both have deep voices and the walls are thin. We all then take turns at the bathroom. Going in the bathroom first, mom takes a thirty minute shower. Then Drew showers. Meanwhile, I channel surf the TV. I stick to I Love New York on VHI. Jonny, on Facebook, updates his profile. About five minutes elapse, Drew’s out of the shower. He demands to use the computer. Jonny concedes his seat at the computer for a seat on his bed, next to mom, who’s attempting to rest. Two commercials later, we hear loud snores from mom. Reaching in his pocket for his Blackberry, Drew checks his voicemail. Realizing no one important called, Drew’s body flops on the futon. He’s soon asleep. Then, Jonny and I realize our only light on is from the TV. </span></p>
<p><span> Now, our Thanksgiving jaunt is almost over. Jonny is a Resident Assistant of his dorm, Landing. He is told that he can’t leave Landing for Thanksgiving. We have no choice; we are a family and we stick together. Therefore, I go to Jacksonville by Greyhound. Drew flies a connected flight from New York to Atlanta to Jacksonville. And, mom flies from North Palm Beach to Tampa to Jacksonville. </span></p>
<!-- PHP 5.x -->]]></content:encoded>
			<wfw:commentRss>http://www.theyetionline.com/arts-and-life/literature-art/thanksgiving-in-jonnys-dorm-room/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

