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	<title>The Yeti &#187; Poetry</title>
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		<title>Poetry: Sonnet</title>
		<link>http://www.theyetionline.com/arts-and-life/poetry-sonnet/</link>
		<comments>http://www.theyetionline.com/arts-and-life/poetry-sonnet/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 21:30:43 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[sonnet]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=2900</guid>
		<description><![CDATA[Why is it that realities unwind When I am with you and my mind is blank? You own me, you control me, and you bind. [...]]]></description>
			<content:encoded><![CDATA[<p>Why is it that realities unwind<br />
When I am with you and my mind is blank?<br />
You own me, you control me, and you bind.<br />
Still for my freedom, it is you I thank.<br />
I am confused and restless and alive.<br />
You make me question all that is my world.<br />
Yet, in your presence, my peace I derive.<br />
You are the answer that I do unfurl.<br />
These contradictions that have held me back<br />
Only lead me to loving you the more.<br />
Yes, everything I’ve gained, I still do lack.<br />
However, I do trust that I am yours.<br />
Love is the truest untruth of my life:<br />
Everything and nothing ends all my strife.</p>
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		<slash:comments>139</slash:comments>
		</item>
		<item>
		<title>Poetry: Exchange</title>
		<link>http://www.theyetionline.com/arts-and-life/poetry-exchange/</link>
		<comments>http://www.theyetionline.com/arts-and-life/poetry-exchange/#comments</comments>
		<pubDate>Wed, 13 Jul 2011 21:30:17 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=2894</guid>
		<description><![CDATA[I traded to you A part of my mind For a part of your heart. We met in Some hidden bazaar With innumerable lights And [...]]]></description>
			<content:encoded><![CDATA[<p>I traded to you</p>
<p>A part of my mind<br />
For a part of your heart.</p>
<p>We met in<br />
Some hidden bazaar<br />
With innumerable lights<br />
And unfathomable colors<br />
And unrecognizable sounds.</p>
<p>I hoped for nothing more<br />
Or nothing less<br />
Or nothing less than more<br />
Or nothing more than less.</p>
<p>And so I handed it over<br />
After wrapping it smartly<br />
With a dumb ribbon<br />
Woven delicately from<br />
Confused secrets<br />
And silent memories.</p>
<p>You smiled,<br />
I smiled back.</p>
<p>Rinse and repeat.</p>
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		<slash:comments>115</slash:comments>
		</item>
		<item>
		<title>Poetry: &#8220;Soft Vanity&#8221;</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/poetry-soft-vanity/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/poetry-soft-vanity/#comments</comments>
		<pubDate>Thu, 30 Jun 2011 21:30:55 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[vanity]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=2770</guid>
		<description><![CDATA[I wander through the frame. Between two fingers, I hold close A world petrified in two dimensions, Whose glossy scent stirs the cerebellum. Two left [...]]]></description>
			<content:encoded><![CDATA[<p>I wander through the frame.<br />
Between two fingers, I hold close<br />
A world petrified in two dimensions,<br />
Whose glossy scent stirs the cerebellum.<br />
Two left feet guide my body down<br />
Old Canaan Blvd – Memory Lane&#8217;s repudiated sister.</p>
<p><span id="more-2770"></span></p>
<p>Lining the street are no<br />
Houses, No<br />
shops, No<br />
gas stations alive with the hum<br />
of bright signs, or the noise<br />
of busy pumps. No shuffle<br />
of tired feet<br />
on the gum-stained sidewalk,<br />
No unbridled laughter.</p>
<p>Standing in the street, is<br />
you.<br />
You with your black camera,<br />
Your back to me,<br />
Swaying like a lone balloon tethered to a mailbox<br />
in an unnoticed breeze,<br />
Or like an homage<br />
to the trees that you couldn&#8217;t save here.</p>
<p>I feel you feel me padding my way up the pavement,<br />
Toward you.<br />
A slow turn and a tilt of the head to the left,<br />
You unveil a display of teeth.<br />
Unimpressive, I think,<br />
Your poor rendition of a smile.</p>
<p>With seven steps, I eclipse your celestial body, and watch<br />
To see if you&#8217;re awash with glow…wait<br />
To see if I concede to your gravity.<br />
As both science and history could tell us,<br />
I do.</p>
<p>And seven steps below your lauded orbs of sight,<br />
Jerks to life the corner of your mouth.<br />
And then it comes,<br />
Softly, like a sigh of wind after a sonic boom:<br />
Your voice.</p>
<p>&#8220;Strange, isn&#8217;t it?<br />
The death of a parade &#8212; Always&#8230;<br />
&#8230;But no one ever watches that;<br />
By then, their mouths are full of turkey.&#8221;</p>
<p>But those words are not for me.<br />
No, you&#8217;re only speaking through me,<br />
To something even the trenches of my mind<br />
Dare not comprehend.</p>
<p>Your lips meet to compose a subtle curl &#8212; serene,<br />
While I gulp down ancestral fears,<br />
I try to focus on how you&#8217;re beautiful, not like<br />
A beach sunset, but like the glisten<br />
of dog piss on healthy grass in sunlight.</p>
<p>And still I see it, as my arm<br />
Travels the lightyears between us,<br />
Just to establish contact<br />
With your craterless cheek.</p>
<p>Beneath my touch, you relent;<br />
Warmth, honest as raw earth spreads across your face,<br />
And the words that come, they come for me:</p>
<p>&#8220;And when we die,<br />
There will be nobody watching,<br />
Nobody will see&#8230;<br />
But now, it&#8217;s time for our picture.&#8221;</p>
<p>To the camera in your hand,<br />
You offer all the length of your arm<br />
So the lens can find:</p>
<p>Your dirt-dark hair, longer than I can stand,<br />
Hanging lazily about that peculiar face,<br />
wherein lie<br />
Your eyes, the color of Neptune,<br />
Surfacing on the smooth sea of your bronzed skin.<br />
And behind you, a glimpse of asphalt, bleached by the merciless sun,<br />
The curtain of dusk being pulled over the shoulders of the horizon.</p>
<p>And me,<br />
(Or some semblance of)<br />
Blurred,<br />
Formless,<br />
As I walk out of the frame.</p>
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		<slash:comments>21</slash:comments>
		</item>
		<item>
		<title>Hackberry Tree Lifts Car Into The Air, SAITAMA, JAPAN</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/hackberry-tree-lifts-car-into-the-air-saitama-japan/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/hackberry-tree-lifts-car-into-the-air-saitama-japan/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:18:46 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1648</guid>
		<description><![CDATA[A poem by Kaitlin Crockett, as part of The Yeti's Fall 2009 Best of Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: small;">Spit out by a bird, a seed<br />
lands in a junkyard in Japan</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">years before anyone<br />
notices, before one of the workers<br />
sees a tuft of green beneath<br />
a nickel box Honda.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">Even then, nobody expected anything but weeds.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">The young tree, knowing nothing<br />
of the thirty-some shades of rust or<br />
gravity’s quiet, oppressive hand, felt</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">the sun through busted floorboards<br />
and ruptured right on through. Oh,<br />
how it wore that car like a necklace!</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">The dented fender pointed up</span><span style="font-size: small;"><br />
and east, as if ascending an imaginary</span><span style="font-size: small;"><br />
mountain.  The drooping tires hanging</span><span style="font-size: small;"><br />
from the branches, graceful as moss. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">The workers, who<br />
were used to seeing things die</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">built a fence around the car<br />
that was now a tree</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">and declared it a sacred monument,<br />
a reminder that even broken clocks<br />
are right twice a day, and the holy</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">flowers in mud, flower<br />
in mud.</span></p>
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		<slash:comments>29</slash:comments>
		</item>
		<item>
		<title>To Olga: A Note Concerning Your Clavicle found under the last pew of St. Teresa’s in the Ural Mountains, 1914</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/to-olga-a-note-concerning-your-clavicle-found-under-the-last-pew-of-st-teresa%e2%80%99s-in-the-ural-mountains-1914/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/to-olga-a-note-concerning-your-clavicle-found-under-the-last-pew-of-st-teresa%e2%80%99s-in-the-ural-mountains-1914/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:12:50 +0000</pubDate>
		<dc:creator>Morgan</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1645</guid>
		<description><![CDATA[A poem by Keith Brinkman, as part of The Yeti's Fall 2009 Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: small;">Oh! your clavicle is a most holy phenomenon!<br />
I’m only certain it’s not unapproachable as it seemed –<br />
You knelt beside me, unblinking, for the Eucharist.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">This isn’t the right way to tell you, my young love,<br />
but I want to feel it’s warmth with all of my toes<br />
and slyly rub my beardless chin into it. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">In light of long contemplation – useless attempts to flee<br />
my desires. Late night. You surely sleeping. A candle<br />
burning on the table – I see, I must ask.</span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">This is a most hasty avenue to reveal these savage thing<br />
to you, a pure woman, but I want my apprehensions<br />
regarding your beautiful clavicle to rest. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">And lest you be uneasy, this you only need consider –<br />
my love is the sweating passion of a </span><em><span style="font-size: small;">negro</span></em><span style="font-size: small;"> singer.<br />
There is no reason to fear my swooning. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">We will depart to the civilized Russia of </span><span style="font-size: small;">Peredelkino</span><span style="font-size: small;">,<br />
a village free of turmoil, and mustachioed women<br />
who may kidnap you for their brothels. </span></p>
<p>&nbsp;</p>
<p><span style="font-size: small;">I’ll ride to meet you as midnight snows on my coat.<br />
And I’ll knock six times with the skin of my forehead.<br />
All to embrace the miracle of your clavicle. </span></p>
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		<slash:comments>22</slash:comments>
		</item>
		<item>
		<title>Strawberry Sonnet</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/strawberry-sonnet/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/strawberry-sonnet/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:05:36 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1642</guid>
		<description><![CDATA[A poem by Natalie Cowart, as part of The Yeti's Best of Fall 2009 Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: small;">some longer lovers hungry lovers<br />
dance in strawberry bowls<br />
the man slicing blood berries<br />
his muse mixing beneath his thumbs<br />
wild waltzing with the dismembered fruit<br />
right onto blender blades<br />
And he puts it on his pound cake.<br />
how wet<br />
even the seeds crushed<br />
the juicy extract tart and<br />
penetrating the porous sponge surface<br />
while she sighs and slides around the plate<br />
Just enough<br />
to be lost in all the pulp.</span></p>
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		<slash:comments>36</slash:comments>
		</item>
		<item>
		<title>Indiscretions</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/indiscretions/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/indiscretions/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 04:02:23 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1639</guid>
		<description><![CDATA[A poem by Lauren Dimmer, as part of The Yeti's Best of Fall 2009 Literature Submissions.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: small;">We picked my mother&#8217;s bed<br />
because it was big enough<br />
to be its own island, a quiet<br />
place, and in that room<br />
there were no windows to see<br />
our nakedness, nothing but</span><span style="font-size: small;"><br />
the door, still hanging limp</span><span style="font-size: small;"><br />
on its hinges, a loud creak</span><span style="font-size: small;"><br />
just so we&#8217;d listen.</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">My teeth were still misaligned<br />
my mouth thick with surgical padding,<br />
from the first of three molars<br />
that lost their way to the jaw<br />
somewhere in the bowling-ball slick<br />
of palate and sinew and bone.<br />
We did not kiss, I was too sick</span><span style="font-size: small;"><br />
with anesthesia and stitches.</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">But I am not ashamed of sitting<br />
with her naked in my mother&#8217;s bed.<br />
The sun made its own picket fence,<br />
shining through the sheets, and</span><span style="font-size: small;"><br />
I believed in it too much to worry.</span></p>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>On Contemplating Death Too Much, And Too Often</title>
		<link>http://www.theyetionline.com/arts-and-life/literature-art/on-contemplating-death-too-much-and-too-often/</link>
		<comments>http://www.theyetionline.com/arts-and-life/literature-art/on-contemplating-death-too-much-and-too-often/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 03:11:19 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Arts & Life]]></category>
		<category><![CDATA[Literature & Art]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.theyetionline.com/?p=1636</guid>
		<description><![CDATA[A poem by Lauren Dimmer, as part of The Yeti's Best of Fall 2009 submissions.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: small;">I hate the mess of it, not on my arms,<br />
no, it&#8217;s my ankles and hips and stomach<br />
and inside of thighs and calves. My arms<br />
are clean and flecked with other things. Arms<br />
are what people notice. When I was sent up<br />
to the guidance counselor, two times, my arms<br />
were the first thing I showed them. My arms<br />
let me skip back down the halls and yell<br />
into the bathroom sink and then yell<br />
again into my hands and go back, arms</span><span style="font-size: small;"><br />
bared, to biology. I am nothing but someone<br />
holding the marks of five years. Just someone.</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">It&#8217;s not even a question, why I didn&#8217;t tell someone<br />
else. Everyone else is busy scrutinizing my arms.<br />
It&#8217;s easy to understand, isn&#8217;t it, oh, you are someone<br />
who writes love&#8211; but that&#8217;s bullshit. I am someone<br />
who has been stupid, and stupid and young, someone<br />
who slept well and often. No, better, I am someone<br />
who stills walks with stupid on my ankles, head up.<br />
I don&#8217;t talk about this because even talking brings up</span><span style="font-size: small;"><br />
so many nights that weren&#8217;t mine to begin with, someone</span><span style="font-size: small;"><br />
else&#8217;s fucking story, and besides, all I know how to do is yell,<br />
not live, not like, not cry, not in public. Yelling,</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">that&#8217;s easy. Biologically acceptable. Animals yell,<br />
the young are animal. Even the peacocks yell,<br />
and they&#8217;re ridiculous. I used to bare my arms,<br />
triumphant. Here is the piece that doesn&#8217;t fit. Yell<br />
all you want. I am not here. I am yelling<br />
in the bathroom sink, and I walk high,</span><span style="font-size: small;"><br />
still full of stones. My mother couldn&#8217;t stomach</span><br />
<span style="font-size: small;">it. She forced her fingers under my chin and yelled,</span><span style="font-size: small;"><br />
hurt and animal, from the diaphragm, up<br />
and under. How can anyone grow up?</span></p>
<p style="text-align: center;">
<p style="text-align: center;"><span style="font-size: small;">I make mess for myself. It grew up<br />
on its own, but I planned it, precisely. Yelling<br />
is all I know how to do. I hold my head up,<br />
thinking this. Who gives themselves up<br />
first? I have been young, and I am someone<br />
who scheduled my own madness, looked it up<br />
first. I am someone who stands up<br />
on stupid ankles. They&#8217;re the worst now, armed<br />
and too tough to cut through. It&#8217;s not my arms.<br />
I am someone who hides it better than the stories.<br />
Someone should stop telling the story, should stomach<br />
the end of the lady who swallowed a fly. My arms<br />
don&#8217;t flap like wings. My arms are just arms.</span></p>
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		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>Sarah Palin&#8217;s Keynote Speech at the National Tea Party Convention: A Poetry Reading</title>
		<link>http://www.theyetionline.com/views/sarah-palins-keynote-speech-at-the-national-tea-party-convention-a-poetry-reading/</link>
		<comments>http://www.theyetionline.com/views/sarah-palins-keynote-speech-at-the-national-tea-party-convention-a-poetry-reading/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 17:30:38 +0000</pubDate>
		<dc:creator>Amber</dc:creator>
				<category><![CDATA[Views]]></category>
		<category><![CDATA[National Tea Party Convention]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Sarah Palin]]></category>

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		<description><![CDATA[We at The Yeti love politics. We also love poetry. Most of all, though, we love combining things we love.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter" title="Former governor of Alaska, current professional clown" src="http://d.yimg.com/a/p/ap/20100207/capt.9720c298c2d546d2845f8f9f025f1e05.tea_party_palin_tner10.jpg?x=400&amp;y=320&amp;q=85&amp;sig=oNNTifmKY.rAQrVT_EdLHA--" alt="" width="400" height="320" /></p>
<p><em>[Ed. Note: We at The Yeti love politics. We also love poetry. Most of all, though, we love combining things we love.]</em></p>
<p style="text-align: center;"><strong>A HAIKU ON CONSERVATIVE PRINCIPLES:</strong></p>
<p style="text-align: center;">Time-tested truths, like<br />
“The gov that govs least govs best.”<br />
(Somalia rules!)</p>
<p style="text-align: center;"><img class="aligncenter" title="America #1!" src="http://d.yimg.com/a/p/ap/20100209/capt.a53ac3503ba74f2ebb72a1d55f89a767.tea_party_palin_lon108.jpg?x=400&amp;y=270&amp;q=85&amp;sig=v2OakAbelmrsa9We9zcJAw--" alt="" width="399" height="270" /></p>
<p style="text-align: center;"><strong>A <span style="text-decoration: line-through;">GHAZAL</span>VILLANELLE ON NATIONAL SECURITY</strong></p>
<p style="text-align: left;"><em>[Ed. Note: Originally I wanted the national security poem to be a ghazal</em><em>, an ancient Arabian poetic form, for irony. But ghazals are super difficult and complicated, so I wrote a villanelle that steals pretty heavily from Dylan Thomas' classic </em>"Do Not Go Gentle Into That Good Night"<em> instead.]</em></p>
<p style="text-align: center;">Do not be so gentle as to give terrorists rights,<br />
We must oblige our enemies if they want to call it war;<br />
After all, America is always looking for a fight.</p>
<p style="text-align: center;">The Muslim snuck in ‘cause our security wasn’t tight,<br />
They should have made him strip, drop his pants to the floor;<br />
Do not be so gentle as to give terrorists rights.</p>
<p style="text-align: center;">And that other country, Yemen, should be in our bombing sights—<br />
If we aren’t killing foreigners, then what’s our freedom for?<br />
After all, America is always looking for a fight.</p>
<p style="text-align: center;">We aren’t even torturing, that keeps me up at night,<br />
The rule of law prevailing will just make them hate us more.<br />
Do not be so gentle as to give terrorists rights.</p>
<p style="text-align: center;">But Mr. President, for Iran please do what’s right.<br />
(Psst, I heard the Ayatollah called Michelle a whore.)<br />
After all, America is always looking for a fight.</p>
<p style="text-align: center;">We must shock and awe the world, must attack with all our might,<br />
Must kill and maim our enemies, must wage an Endless War.<br />
Do not be so gentle as to give terrorists rights.<br />
After all, America is always looking for a fight.</p>
<p style="text-align: center;"><img class="aligncenter" title="&quot;Homicide bomber&quot;" src="http://d.yimg.com/a/p/rids/20100207/i/r2017220509.jpg?x=400&amp;y=269&amp;q=85&amp;sig=n7PGvU9rBgOfgS.h87cfBg--" alt="" width="400" height="269" /></p>
<p style="text-align: center;"><strong>A CINQUAIN ON ECONOMIC POLICY:</strong></p>
<p style="text-align: center;">Ronald<br />
Common sense con<br />
Did it stimulate you?<br />
We got the cornhusker kickback<br />
Reagan</p>
<p style="text-align: center;"><a href="http://www.urbandictionary.com/define.php?term=Redneck%20Teleprompter&amp;defid=4670870"><img class="aligncenter" title="&quot;Energy,&quot; &quot;Budget cuts,&quot; &quot;Tax,&quot; &quot;Lift American Spirit&quot;" src="http://d.yimg.com/a/p/ap/20100209/capt.903a6730f5d44ed695e99533908c31bb.tea_party_palin_lon107.jpg?x=400&amp;y=299&amp;q=85&amp;sig=ecbBkqOzetszwZ6T9f0eMQ--" alt="" width="400" height="299" /></a></p>
<p style="text-align: left;">William Blake? Who dat?</p>
<p style="text-align: left;">(Images via <a href="http://news.yahoo.com/nphotos/slideshow/photo//100207/480/9720c298c2d546d2845f8f9f025f1e05/#photoViewer=/100209/480/bbf8985e42a0416ea2681e60a7bb722d">Yahoo! News</a>)</p>
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